|
|
 Water is a precious commodity in a city, state and country where drought is frequent. I live in a city with many waterways, but until the drought broke recently, rain was a rarity over the past few years. Much of Australia is still in drought. Sydney-siders have become much better at using water, and we use far less now (per capita and in total) than we did 20 years ago, even with a much larger population. I saw this sign on a local road sign pole. Have a look at what other Daily Photo blogs around the world have to show us about water by clicking this link.
 Detail from a tiled mural at Hurstville Civic Centre, depicting many local identities.
Christina Stead (b 1902), who became a noted author. Her works included The Seven Poor Men of Sydney, Letty Fox Her Luck, The Man Who Loved Children. Stead lived most of her life outside of Australia, and was probably most known in the USA. I knew about Stead from a fairly young age because her childhood house is near where I live, and the teacher-librarian at my school introduced her literature. Fascinating piece about Christina SteadFurther information from Wikipedia: Stead was born in suburban Rockdale in 1902, and left for London , to follow a man with whom she had fallen in love, in 1928. The man rejected her, but eventually met an American, Wilhelm Blech who became her lifelong partner. They married in 1952, after he got a divorce. He was a Marxist bank trader (!) and Christina shared his views. They moved to Paris where he worked in the Travelers Bank, then when that closed, to Spain. At the outbreak of the Spanish Civil War (when socialists from all over Europe were flocking to Spain), they left for the United States. Blech changed his name to Blake. In the early 1940s Stead worked in Hollywood as a screenwriter for Metro-Goldwyn-Mayer studios, contributing to Madame Curie, and They Were Expendable. Stead also taught at a course on the novel at New York University. Before the U.S. House of Representatives started its crusade against Communists, Stead and Blake returned to Europe. To earn their living they had to do a lot of hack work, editing, and writing articles. "You always said domestic women were treated as cattle, they should be free. They used to be sold like slaves in England till the middle of the nineteenth century, isn't that so? Well, I'm striking a blow for freedom. The so-called moral system is just imposed on women by men, isn't it? Well, I'm asserting my rights and my freedom." (from Miss Herbert) Blake died of a stomach cancer in 1968. Stead remained unpublished in Australia until 1965, but gradually started to gain recognition. However, she was rejected in 1967 for the Britannica-Australia award on the grounds that she had ceased to be Australian. In 1969 she was a fellow in creative arts at Australian National University, Canberra. She settled permanently in Australia 1974 and received the Patrick White award in the same year. Stead died in Sydney on March 31, 1983. Her last novel, I'm Dying Laughing (1986), published posthumously, gave an account of communists in Hollywood in the 1940s. It was pieced together by R.G. Geering, who also wrote her biography. As a novelist Stead made her debut with Seven Poor Men of Sydney (1934), set in Sydney's waterfront, and depicting of a band of young revolutionaries, misfits as herself. House of All Nations (1938) was a massive and loosely constructed story about the collapse of a Swiss banking house, contrasting the corrupt capitalists with an ideal socialist hero. Miss Herbert (1976) was not published until some twenty years after it was written. Cotter's England (1966) was a savagely comic novel about politics, poverty, and sexual life. The protagonist is Nellie Cook, née Cotter, a Socialist, journalist, manipulator. Her brother Tom, to whom she remains locked in adolescent intimacy, has his own role as a Don Juan, who breaks hearts like the German's bombed London during World War II. The title of The Man Who Loved Children was ironic: its portrait of the egoistic and tyrannical Sam Pollit reflected partly Stead's own love-hate relationship with her own father. Stead set the bitter story on the east coast of the United States. In the depiction of a disintegrating family and its consequences for the children and all involved, Stead used several juxtapositions: the clashing ideologies of North and South, the chasm between husband and wife, personal freedom versus traditions. Stead sees the family as a symbol for the world, ruled by power politics. As in her other novels, Stead also dealt with the theme of a woman facing the conflict between her own artistic freedom and family ties. In the story the young Louie plans a cycle of poems for her teacher and at the end decides to go for "a walk round the world." The Man Who Loved Children was poorly received when it was published, and went unrecognized for 25 years. It was reissued in 1965 with an influential preface by the American poet Randall Jarrell, finally attracting much attention. Jarrell wrote: "It has one quality that, ordinarily, only a great book has: it makes you part of one family's immediate existence as no other book quite does. One reads the book, with an almost ecstatic pulse of recognition. You get used to saying: 'Yes, that's the way it is!'; and you say many times, but can never get used to saying, I didn't know anybody knew that."
 Members of Mosman Bushcare have a well-deserved cup of tea in a shady spot, after spending Sunday morning weeding bushland.
  The St Vincent de Paul Society's building in Yurong St Darlinghurst has walls decorated with these beautiful painted tiles. These are on the outside of the building and are totally graffiti-free.
 Yurong Lane, Darlinghurst
 Cnr Hargrave Lane & Yurong St, East Sydney (Darlinghurst)
 Above, the new Arncliffe Fire Station, opened in 1996, and below, the old Arncliffe Fire Station, opened in 1909, now converted to use as a pre-school. The new one incorporates many sound environmental features, such as solar energy use. I really like it - very innovative. It is located on an extremely busy t- intersection very near Sydney Airport, and always entrances me as I turn past, which is most weekday mornings at about 5:45 am, on my way to the gym for a swim. The old station is Feederation style, based on English Arts and Crafts architecture. There is open space for the children out of shot. 
 No, this tricycle isn't on the pavement, and I haven't tilted the camera; it's actually suspended on the wall of a factory called AFCO All Metal Work. It's the same building outside which yesterday's chair was positioned. So, imagine looking up at it - do you feel a little dizzy?
 This chair sits outside a furniture factory/direct sale outlet on the Princes Highway at Arncliffe. But there was certainly nowhere for your intrepid blogger to sit!
 Victoria St, Potts Point The London plane tree is a widely used street planting in Sydney, due to its robust structure and resistance to urban conditions. Being deciduous it allows for winter sun and summer shade. Plane trees also have a noted tolerance to pollution and their broad leaves take many airborne particulate pollutants out of city air. They are criticised in some quarters for their high pollen levels and possible allergenic qualities in September. I love them
  Look what happened to this Mercedes, parked too long in Cook St, Turrella! Aliens tried to build a space craft out of it. Update: This site tells me the sculpture is by Dylan, and was exhibited in last year's Sculpture By The Sea.
 The Harbour Bridge reflected in a balcony door, Victoria St, Potts Point
 From the balcony of a friend's house in Victoria St, Potts Point. Looking across the landscaped roof of the Defence Forces parking, the finger wharf Woolloomooloo (shown yesterday), Opera House and Bridge. We sat on his balcony, drank gin and tonic, and watched sunset over the bridge. 
 It was a hot sunny day. The young woman was using an umbrella to provide shade, but it looked like it had seen better days! (It wasn't windy) Russell Crowe and family live in a multi-million dollar apartment in this converted wharf.
 Cook & Phillip Park pool, Sydney Obviously looking forward to the joy of join-the-dot skin cancers.
 Light and shadow....late afternoon.
 I can't describe how beautiful today is - a tiny breeze, air temperature about 26 (no Adelaide like heatwave), not too humid, fresh-smelling, sea temperature about 22-24. Just a little "bracing" as you slowly immerse yourself, but as we say in our house BOYGI - "boy-gee" - Beautiful Once You get In. This morning my son and I headed down to Oak Park at Cronulla for a swim. That's him with his towel around his neck - he's just washed off his thongs. That's a beginner's scuba diving class in the middle ground just outside the rock pool, and Bundeena and the Royal National Park across Port Hacking in the background. Temperatures are predicted to fall for Easter, though sea swimming is usually pretty good in Sydney up until mid-April. For more pictures of Oak Park, taken in January, click here.
 The equestrian sculpture, above is The Offerings of Peace, by Gilbery Bayes. Cast in London in 1923, and put in place in 1926. The inscription beneath reads 'The real and lasting victories / are those of peace and not of war.' Peace offers the Arts and Plenty. These are represented by Greek comic and tragic masks, a lyre and some fruits.  "The façade and old wing of the Gallery were built between 1896 and 1909. Architecturally, Sydney's Art Gallery reflects nineteenth century ideas about the cultural role of a gallery as a temple to art and civilizing values." http://www.artgallery.nsw.gov.au/aboutus/history/building The inscription beneath The Offerings of War reads 'That our house may stand forever / and that justice and mercy grow.' War holds a staff topped by a figure of Winged Victory. He also holds a bundle of swords and broken spear shafts. To find out about the bronze reliefs in the facade, and why there are only 4 of them, click here.
 The reason i called in to the Art Gallery of NSW the other day was for a look at the Art Express exhibition. This is a selection of some of the major art works submitted by NSW Higher School Certificate (the final school credential) students the year before. There's some amazingly talented young people in our community. I didn't pay $8 to look at the Archibalds - the images available on the web (link in yesterday's post) didn't inspire. At the time the Archibald winner was announced I quietly thought it was a bit like an HSC major work, but I've revised that view. Some of the HSC major works are much better in my humble opinion. I enjoyed some of the video/anime, ceramics, photography and other media. The young boys above were entranced by some of the video installations. Below: Can You See Us by Courtney Maron Sexton from Lucas Heights Community School, and museum attendant  Check out some of the other works by great young Australians: Art ExpressI also loved Treason of Words by Matilda Moylan-Blaikie; she represents visually how words and space appear to her as a person with a form of dyslexia/perception dysfunction. Beautiful. The web image doesn't convey it fully of course (maybe an argument against my Archibald statement above!) As well, I particularly liked Joe Toutai Alone's work , Harriet Ester Gordon-Anderson's Mother about her mother with chronic fatigue syndrome, Sothearoth Loeu's Untold Stories of tortured faces, Constantin Rongas's George's Cafe, Courtney Maron Sexton's Can You See Us, Emily Diana Sijibat's Untitled (the full work is so much more astounding than here).
 Every year the Art Gallery of NSW has 3 art competitions – the Archibald Prize for portraiture, the Wynne Prize for landscape painting and the Sulman Prize for best subject painting, genre painting or mural project by an Australian artist.
This store room was open as paintings were being moved from here to elsewhere. As the exhibitions were underway, I assume these were unsuccessful entrants.
 I like the way the station and platform were reflected in the glass covering the poster.
 Many people enjoy a spot of gardening on a sunny autumn day. This fellow was digging at Sopranos restaurant in Elizabeth St, Surry Hills. Meanwhile, we've had a beautifully warm, sunny Sunday. When the shadows came over my garden, we all went out and pulled up weeds and did a bit of a tidy-up. Even the cat "helped"by pouncing on hands every so often.
 One of my favourites .... chocolate centres and a hard orange coloured and flavoured shell. The name comes from from the colour of oranges from Jaffa in Israel. Jaffas are part of Australian and New Zealand cultural folklore. Jaffas have often been sold in movie theatres and have gained iconic status because of the noise made when they are dropped (accidentally or deliberately) and rolled down sloping wooden floors. They came of age at the same time as the movies, being launched in the Australian market in 1931.
 http://www.shopnewzealand.co.nz/en/cp861/Cadbury_Jaffas_140g
 George St, City
 Graffiti on a poplar tree in Hyde Park.
 Oh, how we suffer for our art! These chairs caused me to be tapped on the shoulder by security and told to put my camera away. They are a very ordinary setting in the lobby of an office building in the city (The Gateway at Circular Quay). I thought they looked pretty snazzy and lined up a shot. Just as I was about to press the button some beefy bloke in a security uniform informed me that is is "forbidden" to take photos in the foyer of a building thousands of people pass through every day. "Why?". Silence. I don't think they were protecting the design from copyright, just more mad overkill in "these security conscious times". I heard a bloke on radio yesterday sayign some goon had stopped him taking photos from the walkway of the Harbour Bridge - a perfectly legal activity, undertaken by thousands of tourists every day! I pressed the button, said "See the bomb didn't go off" and went on my way.
 This wall upsets my sensibilities. Although there is symmetry, the proportions seem so disharmonious. I don't get a sense of good feng shui from it at all. '
 Now an upmarket restaurant, this art deco building from 1940 was the Sydney offices of Paramount. It wasn't a studio, but did have a screening room, and apparently luminaries like Bob Hope and Charlton Heston attended functions. I've been to the restaurant, Lo Studio (The Studio), and it's very good. Inside there's lovely woodwork and other deco features. 
|
|
2 ... 2 ...
Water is a precious commodity in a city, state and country where drought is frequent. I live in a city with many waterways, but until the drought broke recently, rain was a rarity over the past few years. Much of Australia is still in drought. Sydney-siders have become much better at using water, and we use far less now (per capita and in total) than we did 20 years ago, even with a much larger population.
