Curves and Circles (Sculpture By The Sea 6)

A treat for the weekend: a collection of sculptures where curves are the main feature.
Above: M-thirteen by James Parrett. Made of aluminium and marine ply. The artist says: " A continuing fascination with the aesthetic potential of the circular form. Through the dissection and reconfiguration of arcs, new and intriguing possibilities are created."

I certainly found it aesthetically pleasing, and it gave me a sense of harmony and calm.

Below: Keizo Ushio by Oushi Zokei 2008. This much more solid work, of white granite, also please me. This renowned Japanese artist has exhibited ten times in Sculpture by the Sea.



Above: Obelisk by Leonard Sabol, who says: "Obelisk is proof to myself that I can make anything of steel."


Above: Sky Catcher II by Bob Emser. Made of stainless steel and aluminium.

Reminds me of Native North American dream catchers. Through the work, on the sea you can see Spheres by Sophie Hoppe, pvc and polystyrene spheres bobbing on the sea. Hoppe says: "This work is a kinetic installation portraying an invisible constraint" (...errr, whatever that means!)

Tomorrow: From curves to lines and planes

Alice in Wonderland (Sculpture By The Sea 5) by Rod MacRae

Rod McRae, the artist is a sculptor, photographer, educator, illustrator and children's book author.

This park at Tamarama Beach once was the home of Wonderland City, a fun park that drew thousands of people to Tamarama Beach between 1906 and 1911. "Founded by theatrical entrepreneur William Anderson, Wonderland City took up eight hectares of Tamarama Gully, at the western end of the beach, and featured entertainments hitherto unimagined in Australia, including the country's first open-air ice rink, a double-decker merry-go-round and an artificial lake. There were waxworks, a seal pond and an aquarium, plus the Airem Scarem, an airship that tracked on a cable from cliff to cliff. When not taking rides on Alice the resident elephant, crowds would gather to watch daredevil Jack Lewis rollerskate down a ramp, through a flaming hoop and into a tank full of sharks.

But despite pulling huge crowds, Wonderland City eventually ran into trouble. Tamarama locals resented having their beach blocked off and breakdowns of the Airem Scarem prompted several safety scares. The park was closed in 1911." (Sydney Morning Herald, October 11, 2008) Click on that link to find out more about this wonderful group, and the artist.

I adore this collection....it has an exuberance that is delightfully infectious. It makes you smile. But even so, it's not actually my absolute favourite of this years sculptures....we've got a way to go yet to that reveal!

NB The Alice referred to is Alice the Elephant, one of the chief attractions at Wonderland, not the story by Lewis Carroll! She is seen in the second, and last, photos.

Making a statement: Humpback Gunship (Sculpture By The Sea 4)

Humpback Gunship by Benjamin Gilbert.

The artist is quoted in The Australian newspaper (October 15, 2008):
"Yes, it's for children..... "Too much sculpture takes itself too seriously."
However, behind the whale's friendly appearance is a serious message: the body will be filled with "100 per cent pure Tasmanian woodchips".

"They're usually shipped off to Japan," said Gilbert.

I was really interested to discover that Ben Gilbert is renowned as an ice sculptor - something that there's not a lot of , well any really, in Australia! And that he likes people to touch and experience his work; no "Do Not Touch" signs near this work!

Here's more about the artist and his work:

"To prepare his stainless-steel humpback whale for curious fingers, Benjamin Gilbert carefully smoothed away its sharp edges.

Inside the whale's hollow stomach he placed canvas cushions for people to sit on. "I believe art is only valuable when it is used," he says.

"There's no point in having something precious locked away."

Once a campaigner with Greenpeace, Gilbert hopes the interactive nature of his work will help people understand its anti-whaling message. With a propeller extending from its water spout and wheels below its chin and tail, the whale resembles a small gunship.

"The bone structure of the humpback whale has fascinated Japanese scientists for generations," he says. "Perhaps they're really using the whales to make military hardware.

"It's a ridiculous sculpture about the ridiculousness of Japanese whaling." (Sydney Morning Herald, October 16, 2008)

Tomorrow: Where in Wonderland are we?

More than 15 minutes of fame - Ordinary Extraordinary (Sculpture By The Sea 3)

Ordinary Extraordinary by Ivan Lovatt.

You can view more of Lovatt's chicken wire busts of famous people here and here.

I think it is beautifully executed, and the 44-gallon drum plinth provides great context. I've been pondering how fabulous it would be to be able to creat a portrait in 3-D, using any materials!

This was one of only a few life-like or figurative works in the exhibition.

Do you like it? Do you have a favourite piece of sculptural portraiture / bust?

Tomorrow: From the personal to the political

Lilywhite (Sculpture By The Sea 2)

Lillywhite by Roger Rigorth.

Materials:wood, coconut fibre and aluminium pipe.

Can you imagine running your fingers across those fibre strands, or sticking your hand in that hole? Maybe there's an octopus caught in there, or something warmer, fluffier and more inviting?

This work appeals to me as being a particularly tactile experience. It reminds me of an outrigger oar and a traditional basket. I like forming my own reactions to the works before reading anything about the artist's or critics' views.

In the Education Kit accompanying the exhibition, it states that it is "based on a cocoon, something between a body and a vessel. It is about carrying things which cannot be seen, touched or smelt. Roger is fascinated with the need to move, to explore, to find things and leave old things behind. He is also fascinated with bodies, cocoons, shells and containers. The theme of this sculpture is that it is a kind of creature that has washed up on the shore of the beach. 'We are surrounded by many invisible energies, thoughts, spoken words and things. This cocoon or 'creature' is an example, which collects these 'things', these stories from everywhere.' Roger is also influenced by tribal societies and their practical, spiritual and mental skills to cooperate with their surroundings and natural environment. He loves wool and all kinds of natural materials, everything which could possibly have a kind of soul." (Source: Sculpture By The Sea 2008 Education Kit)

Read more, and see some sketches here. See more of Roger Rigorth's works here (in German)
and more here.

Tomorrow: A cultural icon of the 20th century, achieveing more than 15 minutes of fame.

Imag ne (Sculpture By The Sea 1)

I Imagine.
I Imagine life without joggers...(it would be easier to walk in Sydney's beautiful places!)

Then I imagine the Unimaginable:
Sydney without Sculpture By The Sea in October/November...
Sydney without the sandstone cliffs and blue seas of its beautiful coastline...

Most weekday mornings I roll out of bed at about 5.15, telling myself it's "good for me" in order to walk or swim. This morning, a grey day, I was on the road before dawn headed for the coast walk between Bondi and Tamarama beaches, to join the rushing stream of joggers and walkers, and view the annual Sculpture By The Sea exhibition.

Over the next however-long-it-takes I'll bring you photos from along the walk.

Sculpture By The Sea has now been exported from Sydney to Perth and Aarhus in Denmark (the latter under the sponsorship of Australian-born Princess Mary of Denmark).

This work, Imag ne is by Emma Anna, who says: "I imagine people sitting out here on the rocks in the afternoon, looking through the gap in the work to the horizon beyond....This part of Sydney is such a beautiful space - you can place a very contemplative sort of sculpture here and it just fits." (Sydney Morning Herald October 16, 2008)

Where do your imaginings take you?

Pretty front garden

A lovely front garden with neatly trimmed buffalo grass, and flowering borders. So many places nowadays have hard surfaces - paving and concrete - that the traditional front garden is rapidly disappearing. That is happening at the same time as housing densities are increasing, so townhouses, multiple occupancy developments are replacing single suburban lots. There's more demand for off-street parking (see the house next door in the background) as the volume of cars increases that soft surfaces are replaced by concrete aprons to park cars, even in single dwellings.

Anyway, here's an exuberant celebration of the freestanding house with a well-kept front yard.